Dance to the Music
Rebekah also looked up and saw Isaac. She got down from her camel 65and asked the servant, "Who is that man in the field coming to meet us?" "He is my master," the servant answered. So she took her veil and covered herself. 66Then the servant told Isaac all he had done. 67Isaac brought her into the tent of his mother Sarah, and he married Rebekah. So she became his wife, and he loved her; and Isaac was comforted after his mother's death.
July 7, 2017, Words By: Tim Merrill, Image By:
Poor Isaac, dying in a state of deception, betrayal, sorrow and loneliness. Yes, in our reading we encounter him comfortably ensconced within his mother’s tent, basking in the early hours of love at first sight, but things go very wrong by the time we get to chapter 27! There, the family of the patriarch is divided as rivals, Isaac and Esau on one side of the breach, and Rebekah and Jacob on the other. Can such soap-opera-caliber mess be the fruit of God’s plan for Isaac’s family: brothers at war over inheritance, Mom and Dad playing favorites among their children, lies, trickery, and deceit? In the end, fear leads Isaac to give his beloved Rebekah over to another man, an act that mimicked his father’s failures. Despite the moment of love and contentment we see in our reading, it seems this patriarch is destined to continue in family tragedy and community chaos, and to die in sadness and regret.
Unlike most central characters of today’s blockbuster movies or yesterday’s ancient literature, Biblical figures are not casted as heroes. They are otherwise unremarkable figures who accomplish mighty things only when attuned to God’s voice. They court absolute disaster when they tune out God’s gracious words. We see this with Noah, unquestioningly following God’s precise directions in building his humanity-saving watercraft. Soon after, he fails to seek any divine instruction but instead gets drunk on wine and cruelly curses his innocent grandson. Similar failure befalls Abraham in the disastrous aftermath of his exploitation of the sex slave Hagar, a probable gift received as payment for exploiting his own wife Sarah. Blessed outcomes when God’s voice is in the mix; disaster when biblical figures hit the mute button. These are the lives of the patriarchs, the kings, the prophets, and the judges of Israel.
We are incredible creatures who, when in harmony with God’s voice, accomplish transformative feats of love, kindness, goodness, and grace. I imagine God’s frustration when, like the patriarchs, we are so capable while heeding his voice and so flawed when allowing other voices to block, distort, and override the divine conversation. We should take note of the absence of divine conversation within the disasters of the patriarchal saga. It was Abraham’s prejudicial worldview, not any divine instruction, that led him to incestuously seek a wife for Isaac from within his own family rather than from the people God had sent him to live among and learn from. We see how that worked out. It was Isaac’s prejudicial worldview that led him to favor Esau over Jacob, as it was Rebekah’s prejudicial worldview that led her to prefer Jacob over Esau. And prejudiced worldviews continue until
this day to block, distort, and override the voice of God.
16“But to what will I compare this generation? It is like children sitting in the marketplaces and calling to one another,
17‘We played the flute for you, and you did not dance;
we wailed, and you did not mourn.’
If you’ve seen grace at work, you may recognize that it dwells beyond words and rides along the rhythms of song. God has so richly blessed us with a melody for all seasons, be it joyous songs celebrating love, beauty, and wonder, or the restorative refrains for times of loss, pain, and longing. Imagine the sense of frustration and disappointment Jesus carried as he considered how those of his day had missed the opportunity to live within the heavenly lyrics of God’s song. Instead, they looked at John the Baptist, with his words of repentance, justice, and truth, and in allowing their prejudiced worldview to block out the music, mistook the divine for the demonic. Similarly, hearing the gracious and tender words of Jesus, they called reprobate that which was redemptive. Jesus reminds us, there is no winning with those whose prejudiced worldviews prevent them from dancing to the happy music and crying with the sad.
God’s song is wild, unpredictable, and ever evolving with greater and more vibrantly intricate rhythms. Prejudiced worldviews, attempts to selfishly bend rhythms to the tune of our cultural accommodations, or to limit it within strict notations of past arrangements, serve to distort, block, and override the empowering guidance and understanding of the divine melody. Really good music bids us come and dwell within its lyrical splendors, entangle ourselves within its transcendent basslines, and exuberantly dance at its direction and cry at its prompts.
May God bless all of us with ears to hear his voice clearly, and a desire to join in the divine conversation, or more appropriately, the divine song. It’s lyrics and rhythms produce movements that are truly free and joyful.
Friend of Street Psalms
Founder and Director, Watu Moja